We almost lost her in 1993. That August our cousin Emma died at 102, and my dad was offered 10K by a buyer who wanted take the bulldozer to her gables and columns and use the corner lot for a gas station. Matt--fascinated by architecture in general, spearheaded an effort to hang on to the Emma House and turn her into a family gathering place. Dad relented, and now, almost 20 years later, we can say (with some chagrin) that Phil and I (with support from spouses and kids) have kept it together-- gathering here each summer for a ritual of visiting, wiring, peeling paper, painting, and plastering. We've known for a couple of years that the lady was overdue for a painting, and this summer we decided to bite the bullet.
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EHs 1907 |
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Ken primes the front corner...where the old porch was |
Originally The Emma House had a long porch
running from the kitchen door out to the front of the house. The earliest colors are a big question mark...looks like the columns were white
and the body of the house a medium hue. There's quite a bit of mustard and gray
in our paint scrapings. Beyond that the fascia and drip boards emerge as a darker color still. But within my memory the house has always been white.
So this time around we plan to add some drama and--in a moderate way--return to the look of the original structure. We'll use a rich cream on the body of the house, lighter cream on the crosspieces and window facings, and a cedar blue-green and deep navy as accent colors. If it looks ok we may throw in a little coppery russet color as another small accent.
Our painter, Ken Jewell (no relation, as far as we know), is down with the color scheme. Besides being a teacher, minister, deep thinker and good talker, he's a dedicated runner, in great physical shape (a requirement for this project),...and just crazy enough to be inspired by a job on this scale.
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Robert Lee Johnson, Emma's father 1907 |
Clinton is in the midst of a "paint up" campaign, and everybody who's cruised by (that would be the whole town, population 1600) is interested in the end result. Ken and I have made a pact that we'll be undaunted by any negative opinions.
The Emma House has a life and history of her own, continually
colored with revisions and amendments, and this summer's changes will be
a continuation of that. She's always been a work in progress.
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