Christopher, from figure drawing |
Oh my. What is happening here? I have painted for a long time, but I know nothing,nothing about the science of watercolor. What makes those amazing transparent crimsons I see in my friends' work? How do I achieve...luminosity? What is "granulating??" This is what I wanted when I signed up for beginning watercolor.
So with the first class, we learned to do a wash. Three hours of layering, but that was ok. Today I went back with my Arches (pronounced Ar-chay) paper and San Francisco Slant palette and we learned how to shade a cylinder. For three hours we looked at a standing paper cylinder, and we shaded it, and shaded it, and shaded it.
I took two drawing boards and taped down six sheets of paper. Then I turned my paper cylinder sideways to see the stapled edge, and began with that. Next I put a transparent yellow background around my cylinder and layered it with green for sort of a spring-asparagus color. That is when the trouble started.
The teacher came to me and said, "What is going on here, something different? It was not a nice tone of voice, either, the voice I heard. What is this line doing in the cylinder? Using my best southern-girl voice I pointed out the stapled edge and explained that I was putting the stapled edge of the paper cylinder in my painting.
Then she made an announcement to the whole class: "If you are seeing the stapled edge of your cylinder, turn it around to the back side so it won't be a part of your painting.
Lorraine, from figure drawing wk 4 |
So. I will not be going back to watercolor class. Instead on Monday afternoons from 2:30 until 5:30 I will go to Emma's Coffee Shop as I did today, where, for six dollars they let me pick from a lineup of low-end red wines (Yellowtail, Rosemount, Mondavi) and, with a smile the young Hispanic bartender will pour a glass that is incredibly full, brimming. Almost flowing over.